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dc.contributor.authorPaul Khaemba Wanyonyi, Jane Bwonya, Kitche Magak, John Mugubi, Katheu Mbithi
dc.date.accessioned2022-01-24T09:46:29Z
dc.date.available2022-01-24T09:46:29Z
dc.date.issued2018
dc.identifier.issn2055-0146
dc.identifier.urihttps://repository.maseno.ac.ke/handle/123456789/4622
dc.descriptionwww.eajournals.orgen_US
dc.description.abstract: This paper examines how the Kenyan writer H.R. Ole Kulet portrays female characters vis-à-vis Maasai traditional practices in Blossoms of the Savannah and Daughter of Maa. It proceeds from the premise that characterization plays a pivotal role in depicting the place and role of particular characters in a work of art. For instance, the roles assigned to certain characters in the work of art reflect on their cultural position in the society. It is in this way, the paper examines female characters in the two texts aiming to show how the author portrays cultural conflicts in regard to their positions and roles in the society. From a close reading of the text, it is evident that these characters help to bring out cultural conflicts in the Maasai community. Some of them are either rebelling against traditional cultural practices as they embrace modernity while others are defending the traditional cultural practices as they oppose modernity. This paper contributes useful data on the role of literature in inspiring social consciousness on gender and development issuesen_US
dc.publisherEuropean Centre for Research Training and Development UKen_US
dc.subjectPortrayal, Female Characters, Maasai Traditional Cultural Practices, H.R. Ole Kulet, Blossoms, Savannah, Daughter, Maaen_US
dc.titleFemale Characters Contesting Maasai Traditional Cultural Practices And Materialism In H.R. Ole Kulet’s Blossoms Of The Savannah And Daughter Of Maaen_US
dc.typeArticleen_US


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